Vladiswar Nadishana, Extraordinary Musician

The world is full of the most amazingly creative people – happily – and one of them is assuredly this guy, Vladiswar Nadishana, a multi-instrumentalist musician from Siberia of all places (name me one other Siberian musician….), who plays an amazing range of percussion and blown instruments, as well as developing some very odd, but captivating ones, such as this unlikely instrument, a saucepan lid and a bowl full of water..   Unlikely, but enjoyable.

Isn’t that amazing?  Strange little voice it has….   Personally I find it extremely endearing.

He also plays what I assume is a Siberian version of a Duduk, that haunting Armenian instrument, the Siberian version being called a Duclar, similar name, similar music.

Here he is playing the Duclar with a fellow musician who is playing what I believe is called a RAV drum, a variant on the oil can drums of the Caribbean musicians….

Continue reading “Vladiswar Nadishana, Extraordinary Musician”

Soulful Music And Amazing Images

I have just come across a video that combines two amazingly creative forces in one work of art. The extraordinary photos of Steve McCurry with the haunting Duduk playing of Levon Minessian.

Together, the overwhelmingly sad look in the eyes of most of McCurry’s subjects and the equally sad sound of that most evocative of instruments, the Duduk work together to make a document about the less happy side of humanity and life.

Occasionally among the haunted look in the eyes of most of his subjects, there comes a soul that is happy, full of joy, or a landscape that is simply peaceful and gentle, but most of the images are as the famous one of the Afghan Girl.

afghan girl

Along with these images, we have the music of  Armand Amar, a piece called Amen Hayr Sourp  (Canticle of the Trinity)

peru-10027_2

A truly heartbreaking image of a small Peruvian kid…..

Continue reading “Soulful Music And Amazing Images”

Duduk – The Soulful Armenian Oboe

Recently I have become aware of Armenian folk music, and the double reed oboe-like instrument, the Duduk which is central to their music.

Duduk
Duduk

The Duduk has an incredible, almost indescribably haunting sound, very breathy and gentle and has to be the most emotional and haunting instrument in the world – or at least that is my feeling about it.

Before I go any further, here is a powerful example of what I mean about it… Listen and be moved.

As ever, there is a quite reasonable description of the Duduk in good old Wikipedia, so here it is:-

The duduk is a double reed instrument with ancient origins, having existed since at least the fifth century, while there are Armenian scholars who believe it existed more than 1,500 years before that. The earliest instruments similar to the duduk’s present form are made of bone or entirely of cane. Today, the duduk is exclusively made of wood with a large double reed, with the body made from aged apricot wood.

The particular tuning depends heavily on the region in which it is played. In the twentieth century, the Armenian duduk began to be standardized diatonic in scale and single-octave in range. Accidentals, or chromatics are achieved using fingering techniques. The instrument’s body also has different lengths depending upon the range of the instrument and region. The reed (Armenian: եղեգն, eġegn), is made from one or two pieces of cane in a duck-bill type assembly. Unlike other double-reed instruments, the reed is quite wide, helping to give the duduk both its unique, mournful sound, as well as its remarkable breath requirements. The duduk player is called dudukahar (դուդուկահար) in Armenian.

The performer uses air stored in his cheeks to keep playing the instrument while he inhales air into his lungs. This “circular” breathing technique is commonly used with all the double-reed instruments in the Middle East.

Duduk “is invariably played with the accompaniment of a second dum duduk, which gives the music an energy and tonic atmosphere, changing the scale harmoniously with the principal duduk.”

So that is the dry description.

All stuff one perhaps needs to know about such an instrument, but as always, what really matters is the emotional reaction we have when we hear it played, and in the case of the Duduk, this reaction can only be extremely strong – not happy or cheerful, as that is not the nature of the beast, but a profoundly deep and moving aural experience.

Duduk playing is a bit like the bagpipes in that bagpipes have a whole array of drones – pipes set at a particular note – and one pipe on which the melody is played, here as you will have read above, that function is carried out by one or more fellow players who simply play one note all the way through, thus creating a full and warm sound – and in passing an even more mournful sound.

Mournful is what it is.

Continue reading “Duduk – The Soulful Armenian Oboe”